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[triennial - points]
Recently we flow to Indianapolis IN & then drove to Terre Haute IN for a cousin's funeral. Her ashes were laid to rest next to my grandparents' graves; it was the first time I had seen their tombstones -- 1870-1958 (Granddad) & 1885-1970 (Grandmom). R.I.P.
My cousin served a hitch in the U.S. Air Force right after she graduated from high school in 1961 or so. So at her final rites, the American Legion or possibly it was the Veterans Of Foreign Wars showed up at the cemetery with a bagpiper & a chaplain & a rifle squad & a (digital) bugler, to provide fitting military honors for a fellow veteran of our armed services.
The piper played Amazing Grace, a favorite tune of my late cousin -- & some other appropriate selections. The chaplain said a few words of remembrance & tribute to my cousin's service to her country. At the appropriate moment, the rifle squad fired 3 volleys in final salute & the (digital) bugler let loose with Taps.
Afterward, the chaplain presented the tradional triangle-folded U.S. flag to my cousin's husband, & the commander of the rifle squad presented him with a heavy-guage clear plastic envelope containing the expended brass cartridge casings from the rounds that the squad fired in salute. With the shells was a card signed by each member of the firing squad, along with my cousin's name & the date of the service of interment. The chaplain also presented my cousin's husband a handsome certificate commemorating his late wife's USAF service. In all, it was a highly respectful and moving military tribute.
The digital bugle was just a bit strange -- not bad, not negative in any way, just unusual & unexpected. Where I was positioned, I couldn't see the guy operating it, but I had noticed previously that his instrument looked pretty much like a regular flugelhorn, rather than trumpet or cornet or actual bugle. I just figured the bugler was going to do Taps on flugelhorn -- not that there's anything wrong with that. As it turned out, that particular flugelhorn housed a playback device for a digital recording of Taps. What gave it away was the exceptionally commercially polished sound & style of the recorded rendition -- as though Doc Severinsen was out there playing Taps for somebody. That is, the musical performance style was more reminiscent of Hollywood than of Arlington Cemetery -- not that anything is wrong with that, either.
My cousin served a hitch in the U.S. Air Force right after she graduated from high school in 1961 or so. So at her final rites, the American Legion or possibly it was the Veterans Of Foreign Wars showed up at the cemetery with a bagpiper & a chaplain & a rifle squad & a (digital) bugler, to provide fitting military honors for a fellow veteran of our armed services.
The piper played Amazing Grace, a favorite tune of my late cousin -- & some other appropriate selections. The chaplain said a few words of remembrance & tribute to my cousin's service to her country. At the appropriate moment, the rifle squad fired 3 volleys in final salute & the (digital) bugler let loose with Taps.
Day is done. Gone the sun,
From the hills, from the lake,
From the sky.
All is well. Safely rest.
God is nigh.
From the hills, from the lake,
From the sky.
All is well. Safely rest.
God is nigh.
Afterward, the chaplain presented the tradional triangle-folded U.S. flag to my cousin's husband, & the commander of the rifle squad presented him with a heavy-guage clear plastic envelope containing the expended brass cartridge casings from the rounds that the squad fired in salute. With the shells was a card signed by each member of the firing squad, along with my cousin's name & the date of the service of interment. The chaplain also presented my cousin's husband a handsome certificate commemorating his late wife's USAF service. In all, it was a highly respectful and moving military tribute.
The digital bugle was just a bit strange -- not bad, not negative in any way, just unusual & unexpected. Where I was positioned, I couldn't see the guy operating it, but I had noticed previously that his instrument looked pretty much like a regular flugelhorn, rather than trumpet or cornet or actual bugle. I just figured the bugler was going to do Taps on flugelhorn -- not that there's anything wrong with that. As it turned out, that particular flugelhorn housed a playback device for a digital recording of Taps. What gave it away was the exceptionally commercially polished sound & style of the recorded rendition -- as though Doc Severinsen was out there playing Taps for somebody. That is, the musical performance style was more reminiscent of Hollywood than of Arlington Cemetery -- not that anything is wrong with that, either.
-- Alan Cole, McLean (Fairfax County), Virginia, USA.
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